Through All Generations
By Dr. Gene Edward Veith
Dean of Arts and Sciences, Concordia University, Mequon, Wisconsin
Among the many cultural contributions of the Baby Boomers-along with free
love, the drug scene, and Grateful Dead ties-was the concept of the generation
gap. In every other culture and throughout history, children were socialized
to become adults. When children grew up, they took their parents' places,
their roles and their values. There was no separate youth sub-culture,
no music and fashions to set off the younger generation from their parents.
Children were dressed, for the most part, like little adults. But in the
mid-twentieth century, American culture became stratified along generational
lines.
Today, as pundits try to dissect the differences between Baby Boomers
and Baby Busters, the Sixties Generation and Generation X, even the church
becomes fractured along generational lines. But the Bible puts forth the
constant theme that God, His saving Word, and His Church extend "through
all generations" (Psalm 89:1).
Talkin' 'Bout My Generation
The generation of Americans who won World War II emulated their own
Depression-toughened parents in many ways. But in the unprecedented baby-making
that followed the war, accompanied by extraordinary prosperity and better-living-through
technology, their own children may have been a little spoiled. Always before,
children would help their parents on the farm, playing a major economic
role and learning the skills and disciplines of adulthood. Now, there weren't
that many farms and children could concentrate on the hard work of entertaining
themselves. This process was helped along with not only television, but
perhaps even more importantly radios and record players, which made possible
the mass-production and nation-wide distribution of music.
I do not mean to denigrate these times at all. It was great to grow
up during the 1950s and 1960s. I know. I was there. For the most part we
enjoyed stable, two-parent families, with our mother there when we came
home from school. But, as the Bible would lead us to expect, this paradise
had its serpent, its temptations and its fall. Baby Boomer teenagers, freed
of having to deal with the real world, began thinking their parents, who
were mired in the real world by which they supported their children, were
too materialistic.
The obvious injustices addressed by the Civil Rights movement gave the
Baby Boomers watching it on television both a moral idealism, which assumed
bad social conditions could be changed, and a moral superiority, which
looked down on the less enlightened generations that went before. When
hard times came, such as the Vietnam War, they seemed so wrong.
Though their parents and grandparents lived through war on a far more
colossal scale, many Baby Boomers took the opportunity to rebel, not only
against what they considered an unjust war, but against the values and
mind-set of their parents.
The Baby Boomer generation considered themselves different from the
previous generation, and they were. A generation gap opened up. This was
first noticed in the 1950s, as alienated youth began complaining that "my
parents just don't understand me," and their parents admitting that, "yes,
we sure don't."
Soon, a youth subculture developed. Music played a defining role as
radio stations and record companies churned out rock'n'roll for affluent
young buyers-music which articulated their pre-occupations and gave shape
to their desires. While it is true that the silent majority of young people
in the 1960s were law-abiding and relatively conservative, few were untouched
by the more extreme manifestations of what began to be known not only as
a sub-culture but a counter-culture. Not growing out of the infantile "pleasure
principle" and refusing to acknowledge society's rules, many young people
of the 1960s staged the "sexual revolution." Drugs, eastern mysticism and
radical politics were other phases of the untrammeled pursuit of self-gratification.
When the hippies and the yippies grew up, some of them reacted against
the follies of their youth. Others brought their counter-culture with them
into the American mainstream, so that today, Baby Boomer values rule in
academia, government and the media. What was once a counter-culture has
become the establishment.
The Next Generation Gap
A funny thing happened when the Baby Boomers became parents. With supreme
justice, their children rebelled against them. To the extent mom and dad
has bought into the counter-culture, their children tended to go in the
opposite direction. Fathers who had fought with their fathers over long
hair now fought with their own sons who shaved their heads. Instead of
the bright colors, flowing robes and floral patterns of Sixties clothing,
the next generation wore black, leather and tattoos. Rock concerts had
been love-ins of happy, melodic music and communal solidarity; the punk
rock and heavy metal of the next generation featured harsh noise, depressing
lyrics and mosh pits where concert-goers slammed into each other in a violent
parody of dancing. Parents who believed in flower power often had to deal
with children paralyzed by cynicism. The simpering "peace and love" ideology
of the Sixties was mocked by the violence and nihilism of the new pop culture.
And no wonder. The Baby Boomers split up their families with carefree
abandon, which meant that their children were victimized by broken homes.
Baby Boomer parents were so self-absorbed that they often forgot to raise
their children. They liberated their babies and made school fun. Now their
children lacked discipline and bitterly resented their useless educations.
The Baby Boomers initiated the sexual revolution; now their children had
to deal with AIDS. The Baby Boomers started the vogue of drugs; now their
children were left with mental breakdowns and twelve-step programs. The
Baby Boomers thought their ideals of peace, love and new consciousness
would change the world; their children saw that it was all a big lie.
Unlike the Boomers, members of the so-called Generation X dislike being
all grouped together under a generational stereotype. Whether they are
"slackers," paralyzed by apathy and hopelessness, or driven achievers and
money-makers, they tend to have a cynical edge and a wholly admirable distrust
of phoniness. Another trait is their frustration that Baby Boomers, however
old they get, still demand all the attention.
How Not to Minister to the Different Generations
It has been said that the major problem of Baby Boomers is that they
refuse to grow up. Though adults, they reject adult responsibilities. While
this, like other generational assertions in this essay, is a sweeping generalization
with many exceptions, it contains much truth.
For example, notice how aging Boomers still tend to listen to the same
music they listened to when they were sixteen. We Baby Boomers (and remember
I include myself in all of these criticisms) do not consider that it might
be a sign of some infantile clinging to childhood when we do not allow
our taste to change and mature. We tend to think that we are the ones who
are not only cool but contemporary.
Many churches today feel the need to be contemporary. The assumption
is that in order to reach people the church should throw off its old-fashioned
styles and get with the times. The hoary liturgy should be done away with
and those archaic hymns should be replaced with music people are listening
to today.
Notice that these assumptions-that old forms are not relevant, that
people today are somehow different from those of the past, that being alive
means being entertained-are relics of the Baby Boomer generation. In fact,
it is usually Baby Boomer pastors who are implementing these kinds of reforms.
Now here is the irony, which is immediately recognized by Generation
X-ers-contemporary worship services, with their "contemporary" music, are
seldom contemporary at all. The ubiquitous "praise songs" have more to
do with the style of Peter, Paul and Mary than with actual contemporary
music today.
Certainly, Baby Boomers often do demand their kind of music in church.
This is another one of their (our) traits-to be demanding and self-absorbed
and intolerant of other styles. The World War II generation never demanded
worship styles with Big Band music.
It should also be recognized that what might work for the Baby Boomer
mind does not necessarily work for Generation X-ers. Much of the panoply
of church growth techniques are designed for the former. Generation X-ers
tend to be skeptical of attempts to manipulate them. They tend to see right
through slick programs and fake friendliness that many churches resort
to in an attempt to reach them.
Though both Baby Boomers and Generation X-ers represent "lost generations,"
it may be that the latter holds more promise. Perhaps their children-already
the subject of scrutiny as "Generation Y"-will achieve normalcy and the
obsession with generational differences will fade away. In the meantime,
it is instructive to note the yearning expressed by a number of X-ers for
authenticity and spiritual substance.
Consider the Lutheran group Lost and Found, whose music with
its "alternative" sound is genuinely contemporary, as opposed to, say,
their Baby Boomer counterpart Barb and Dave. In their song, "Opener," they
offer a Generation X flavored indictment of church-growth-style worship
services. Instead, they crave substance, namely, the Body and Blood of
Christ:
I'm looking for something stronger-Than my own life these days,
Yet the church of my childhood-Seems like the YMCA.
Well, every Sunday-Is just like the last, As if the church has
no history-And the people have no past.
We just sing what we like to sing-And we preach about the news,
And think of some new thing-Just to fill up the pews.
I want palms on Palm Sunday-And Pentecost still to be red. I
want to drink of the Wine-And eat of the Bread.
And they search for attendance-While I starve for transcendence.
But I count among this Body-Of both the living and the dead.
The poignant emphasis the singer puts upon the word starve-"while I
starve for transcendence"-expresses well the spiritual dilemma of our day.
The Baby Boomers, in their narcissism, prefer a touchy-feely, emotional,
entertaining, self-aggrandizing approach to everything from education to
the workplace, including church. The next generation-casualties of what
the Boomers have done to the culture-are often cynical, depressed and sometimes
to the point of nihilism. They yearn for something real and authentic,
but everything they see in this media-saturated commercialistic culture
they have inherited seems phony. Maybe everything is phony, which is a
refrain of postmodernism, so that the only proper response is a detached
yet bitter irony.
Churches, tragically, play into this perception. Most churches today
have been taken over by the Baby Boomer mentality, exhibiting the values
of mass-market commercialism, the rejection of the past and hedonistic
individualism. Meanwhile, those who may never have known a stable family
yearn for a sense of belonging to some community bigger than themselves.
They are "looking for something stronger/than my own life." They "starve
for transcendence."
This is why I believe Lutheranism holds such potential for the next
century if churches can be found to practice it. To a generation hungering
for belonging, we can offer membership in a "Body-Of both the living and
the dead." To those hungering for something real, we can offer the Real
Presence of Jesus Christ.
The other good news for the church is that we Baby Boomers are getting
old and will soon die out.
From Generation to Generation
It is true that American society today is generationally segmented.
In fact, more generations and sub-divisions of generations have been identified.
Even within a particular generation, there are hosts of sub-groups. These
often identify themselves with trivial signs, such as taste in music.
Notice what happens when a church aims itself, through its music or
worship style, at one particular generation or sub-group. The others, in
this generational and cultural crazy-quilt that is the typical American
congregation, will be alienated. What is happening in church will appear
to be geared for the particular privileged group.
When churches go to a "contemporary service," older parishioners of
the World War II generation object. How could they be expected not to?
Those who have devoted their lives to the church for decades feel, as one
told me, that "they have taken away my church." It is unfair to categorize
such objections, as is often done, as being overly tradition-bound or as
some unwillingness to evangelize. They are responding both to the feeling
of being unwanted in their own church and to the fact that they can hardly
worship in such an alien language.
The answer, however, is not to give them a Big Band service. Nor to
give Generation X a punk or hip-hop or death metal service. The answer
is in the genius of the hymnbook.
When we are singing hymns in church, we are not following the preferred
"style" of anyone in the congregation. This is church music, wholly different,
whatever its origins, from the currently preferred musical taste of any
of the generations assembled to worship. No one is offended; no one is
excluded; everyone is lifted out of a particular time, generation or in-group,
into the extra-ordinary experience of worship.
In The Lutheran Hymnal, one can hardly find a trace of Glenn Miller,
though his band was very big in 1941, when the hymnal was first published.
Lutheran Worship of 1982 has nary a disco tune. Perhaps its most up-to-date
music can be found in the liturgical settings, which are far more "contemporary"
than the 1960s-era praise songs that are now brought in to replace them.
There are 20th century hymns, such as those by the great composer Ralph
Vaughn Williams, but there are few, if any, concessions to the year's Top
Forty. The fact is, pop music of every kind is excluded, since fashions,
by their very nature, come and go. Furthermore, church music is to have
a very different use than the music put out by the entertainment industry,
namely, to be sung corporately (most pop music works at best only as a
solo performance) under the Word and in the presence of God. Music with
origins in the folk culture (the old hymns specifically passed down from
generation to generation) or the high culture (compositions old or new
of artistic greatness) has the capacity to be universal, transcending time
and place as Christ's church is supposed to do.
The Christian church, St. Paul tell us, "consists of many diverse members
who come together in the unity of the Body of Christ" (I Cor. 12:12-27).
"There should be no division in the body" (12:25), we are warned, so that
generational differences, like those of "ethnicity, race, gender or social
class" (Gal. 3:28), must not be allowed to get in the way of the unity
we have in Jesus Christ.
This unity extends through time, "throughout all generations," including
those generations of the past. In a typical church service, the hymns that
are sung literally do span the generations. A typical worship service thus
exemplifies the commerce of ages that is intrinsic to the communion of
saints.
A new baby represents a new generation, but the baby is baptized into
the one Body of Christ. In church, the old and young, rich and poor, parents
and children, Boomers and X-ers, kneel together in prayer, hear the Gospel
each of them desperately needs and join together in the unfathomable spiritual
intimacy with Christ and with each other, that is Holy Communion.
There are different generations, but they are all equally in need of
Christ. The Church is the place where generational differences are to be
transcended, not reinforced. Where ephemeral fashions and cultural distinctions
are subsumed into an eternal perspective, into a kingdom which "endures
from generation to generation" (Daniel 4:34). Only a church which resists
being merely of one generation can be relevant to them all. |